Mayani Calhoun
Nambucca Heads High School
YOTHU MIRR MIYALK, NYAMI BULUUNGGARRI
Textile and Fibre
Fibre
My body of work was inspired by family weaving traditions that connect mother (the giver of life) and child. I used a variety of weaving techniques and enjoyed the therapeutic nature of the physical act of weaving fibres into sculptural forms.
My artmaking practice has been influenced by the study and interpretation of the artist Mavis Warrngilna Ganambarr.
Marker's Commentary
Reminiscent and inspired by the Venus of Willendorf, this totem female figure resonates with conceptual ideologies of ancient cultures, female sexuality, the fertility goddess and women as the age-old symbol of provider. Although missing its head and limbs, its voluptuous body and accompanying child in its protective basket transcends time and place, reaffirming the importance and power of the female form - mother and child. The artmaking practice of fibre art is traditionally a female one and is celebrated here. The sculptures are constructed and re-contextualised through skilful weaving techniques. Raw materials such as raffia, shells, paper bark, feathers and found objects including beads are purposefully selected for their visual and tactile qualities. Scratchy textures and neutral colours echo the earthy connections to mother nature. This exquisitely crafted body of work is distinguished by the student's exceptional material and conceptual practice to convey meaning about the role of women in society and culture.